The Art of Chinese Figure Painting

Early-stage painting works nearly all took figures as the main theme.In terms of the skills of the artisans of the officialdom and the populace,there was a difference between them,meticulous vs. coarse and refined vs. unruly--the former being accurate in depiction,terse and orderly in lines and exquisite and dedicate in coloration,showing extremely good professional cultivation whereas the latter being bold and untrammelled and tending to be coarse and crude in spite of showing some vivacity in the counternance.And the former was the source head of specialized figure painting whereas the latter had all along retain the simple and plain features prevailing among the people.However,in the course of development,both of them influenced each other.
Gu Kaizhi of the Eastern Jin Dynasty was considered as a mature master artist in pushing up the techniques to the theoretical level in figure painting.In the heyday of the Tang Dynasty the extraordinary creative power of Wu Daozi brought prosperity to this genre of art as never before.The gorgeousness of the late Tang paintings,the exquisiteness of the Five Dynasties paintings,the line drawing method of depicting both spirit and form of Li Gonglin of the Northern Song Dynasty,and the free impressionist reduced strokes of Liang Kai of the Southern Song Dynasty--all these displayed the scene of multifariousness in colour and posture.

The momentum of figure paintings in the Yuan Dynasty was on the wane,but there was no lack of excellent pieces executed by Zhao Mengfu,Ren Renfa and Zhang Wo.The figure paintings of the Ming and the Qing days began to be stamped with the mark of being secular in the favour and full of human interest.And the richness in individual styles and the mellow and seasoned techniques were embodied in the works of such figure-painting artists as Dai Jin,Wu Wei,Tang Yin,Qiu Ying and Chen Hongshou.

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